New Words from the Golden City

cover splashTGC

I’m close to setting up a pre-order page for After the War, the final (chronologically) novella in the Golden City series.  I’m still waiting on the cover, but as soon as that’s finalized, I’ll work on turning that live. (The cover artist–Rachel A, Marks–is also a writer, and she’s in the midst of edits for her next book.)

My planned date for After the War to go on sale is August 1, although that might change if there are complications.

In addition, my patrons have received the first chapter in a new work that tells of the meetings of Miguel Gaspar, Gabriel Anjos, Nadezhda Vladimirova, and the Lady.  I’ve jokingly called them my Torchwood in the past because they seem to work behind the scenes, focusing on the creepy and weird stuff. (if you don’t understand the reference, that’s OK.)

The work is very tentatively titled The Undiscovered Truth, although that may change.  (The first chapter is available here on my website, but it’s password protected so that only my patrons see it.)

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One WIP? Or many?

One of the interesting things about authors is how we’re all different. Some of us are plotters, some pantsers, and a large percentage are in between. Some write every day. Some don’t. Some have rituals or a special place to write, while others can write anywhere, anywhen.

And some of us can only work on one project at a time.

I’ve never been one of those writers. I’ve always been able to have three or four WIPs going, save when I was under a real deadline crush. In fact, for me that makes it easier.  If I’m having trouble working on WIP1, then I open WIP2 and tinker with that for a while. A lot of the time, that shakes loose whatever was bothering me about WIP1.

Recently I’ve had 3 WIPs going: After the War, The Horn, and The Sins of the Fathers. 

(I actually have opened a few other files in this time, mostly on weekends, just for fun. Sometimes we need to do ‘fun’ writing just to remind ourselves why we do this.)

But my point is that this strange way of working is what works for me.

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After the War is due to be out later this summer, which means I need to get that last section finished, and then get it out to my editor. I’ve even got a cover commissioned for it, due to me about June 15th.  Now, this is a Portugal story involving Serafina Palmeira and Alejandro Ferreira.point_of_no_return3_by_faestock

(This is the -likely- picture we’ll be using–via Faestock on DeviantArt–for the cover…the rights belong to that artist.)

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But it’s recently been The Horn and The Sins of the Fathers that have taken up most of my time.

The Sins of the Fathers (name may change) is the sequel to Dreaming Death, starting only a month later than the end of that novel. Now, this was primarily concerned with the problems caused by Shironne’s father, Mikael’s father, and to a lesser extent, Deborah’s. Hence the name.

However, the edits on the first book killed off Shironne’s father before the first book happened. He was supposed to die slowly and painfully in the first half of Book 2. Removing him also removed a lot of the issues with Mikael’s father, so…I’m having to rewrite Book 2.  This happens sometimes.

On balance, I’m okay with the changes, but it means that as I was rewriting the sequel, the murder in it seemed to work less and less, making the plot weaker and weaker. Unfortunately, how to fix that problem has eluded me for for quite a while. I’ve been spinning my wheels writing it because it just seemed…wrong.

But working on The Horn provided an answer in a very different way.

I’ve been working on that, a series of novellas set elsewhere in Larossa shortly before the events of Dreaming Death (early summer-fall).  The events of the two story lines eventually tie together.So it was of direct benefit to me to have parts of The Horn solid in my head and written down.

But while I was hunting and pecking through my old files for a spare bit of text (I really need to get in there and rename all those old files because their current names are gibberish) I ran across an old Mikael/Shironne story about a murder that…

Well, I’d never finished that 2005 story. I probably got busy with something else and never got back to it. But suddenly I had in my hands the answer to my problem with TSotF.  I could swap out the short story’s murder for the problematic one in the book. A bunch of names had changed, but  the short story was set right after the book, so there wasn’t much time or age difference.

And suddenly I knew how to fix the broken part of TSotF. I am in the process of stripping out the old murder and working in the new. I’m re-outlining the book, as much as I do outlining. And everything is moving again.

Such a relief.

The point to all of that being: For me, working on more than one project at a time is helpful.  Not true for everyone, but for me, it pays.

 

Does that work for you? Or are you a ‘one project at a time’ writer?

 

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Gearing Up…

Well, I’m gearing up to try to get more ebooks out by the end of the summer.  I am currently working on getting The Seer’s Choice up in paperback, and I plan to put it up on venues other than Amazon as soon as the KDP rights expire (at the end of March.) It may take a few days to promulgate to other formats, like Nook, but I’ll try to keep people apprised when it does.

I’m also in the process of repackaging the Iron Shoes novellas. The artist is finalizing the cover this week, and I’ll be withdrawing the old ebook files and putting out the new one–that includes all three novellas in one book–as soon as I have the chance.

And I’m working today toward getting the Alejandro novella (After the War) completed. An artist (the same one who did The Seer’s Choice, Rachel A. Marks) is working on that cover for me. When I get it, I’ll post it to my Patreon patrons first, and then share it with everyone else later.

For inspiration, I’ve been listening to this video:

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LIfe has gotten more hectic, with a hailstorm this week necessitating a new roof. That will be taking up a heinous amount of time and will raise my frustration levels accordingly. (I had the roof replaced in the old house in 2012, and it was an ordeal. I truly didn’t want to be going through this again so soon, and not in a house that we’ve only owned for a few months.)

And unfortunately, although the insurance will likely pay most of it, I’ll be out of pocket for some…which kills the plans to get new windows.

Nature is ever fickle.

 

 

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The Seer’s Choice, and general news…

I haven’t been keeping up my blogging here lately, and I’ll talk more about that below.  However, I wanted to drop in to tell people that my novella, The Seer’s Choice, will be coming up on Amazon soon…ish.

In this Golden City novella, we follow Captain Rafael’s Pinheiro’s efforts to protect a young woman he knows—he is a seer, after all—he is fated to marry. The story is set concurrent with The Shores of Spain, and brings up back to some of the characters in the Golden City. (And I confess, it will be easier for people familiar with the series to understand.)

I don’t have a cover yet, but as soon as I get it, I’ll be putting the book up on Amazon, where I’m planning to put it in the Kindle Unlimited program so that more people can get it for free.  (If you’re a Nook person, I apologize.)

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I’ve have a few guest posts lately, and if you go back to the home page, you can find links to a couple of giveaways that are still running.

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I’m currently offline quite a bit as I prepare to move from Oklahoma back to Texas. This is a long process, so my internet communication will be spotty for a while. Please be patient!

And finally, thanks to everyone who’s reviewed The Shores of Spain. I don’t say that often enough, but I really really appreciate your support!

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Barefoot in Iberia…

A friend of mine, Sue Burke, recently posted a link to this article:

10 WAYS TO TOTALLY HUMILIATE YOURSELF IN SPAIN

Now, Sue lives in Madrid, working away at translations of old Spanish texts into English and her own fiction as well, so she knows how the Spanish operate. And apparently, most of these are true.

Fortunately, when we were in Spain a couple of years ago, we didn’t violate any of these.  We struggled with eating dinner late. (We’re early eaters here in the US, too. Early to bed and early to rise, you know.)  As tourists, we looked kinda scruffy ALL the time, making it obvious we weren’t Spanish.  They really don’t dress down.

The one of the ten that I know I broke?  The Barefoot thing.  Not in the streets, of course, but in the apartments we rented.  I’m sure I must have walked around barefoot a bit.

I didn’t know about the barefoot thing.  Just a cultural tidbit that I missed.  I hope I didn’t offend anyone.

My next thought was, How does this affect my writing?

I asked myself that because there are a few references to bare feet in my books.

Oriana and Duilio meet in the hallway at one point, both without slippers (his because his valet is hiding them and hers because she’d rushed out of her bedroom without thinking.) In Book 3 there’s a bit where Joaquim says something about being comfortable with bare feet (on the islands, where bare feet are the norm due to mild weather.)

Now, at the time, barefootedness in Portugal was pretty…well, normal.  Especially in the more rural parts on the country. Why wear out the single pair of shoes you had when you have feet?portugal2

The cities were a different matter, and after the founding of the Republic in 1910, the cities began several rounds of campaigns to get people to WEAR SHOES.  a+pe+descalco

(Rough translation:  Shoeless Feet become Lost Feet.)

It was always an uphill battle. But the government argued that bare feet were not only dangerous, but that…

Everybody must wear shoes because the sight of an unshod foot and leg is repulsive to many foreigners, is unhealthy and unesthetic. It furthermore suggested backwardness in the country.

(Click on the photograph  of the two women above to go to the source of that quote: a barefoot running site, Ancuah).

Yes, we want to look classy, so put on some shoes, dang it!

After all this checking, I’ve decided that I’m not going to worry overmuch about my tiny little references to bare feet.  After all, if the government couldn’t get people in the city to wear shoes on the streets, I’m not going to force my characters to wear them in the bedroom!

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